Harry Styles: 'I've Learned How to Slow Down'
In the summer of 2024, Harry Styles took a much-needed break after a 22-month world tour. At 30 years old, he was reflecting on his journey and the importance of slowing down. With his friend Alessandro Michele, the former creative director at Gucci, Styles invited British photographer Martin Parr to capture his life off-duty in a house outside Rome. This intimate moment was a turning point for Styles, who had been constantly on the move.
Martin Parr, who passed away in December at 73, had a unique perspective on British life, often finding humor in what others considered 'high art.' Styles, inspired by Parr's work, wanted to collaborate with him, valuing his ability to capture the quieter, more authentic side of British culture. The shoot, initially meant for personal use, became a cherished memory for Styles.
Harry Lambert, Styles' friend and stylist, interviewed him about his relationship with Martin Parr, marathon running, and his newfound appreciation for slowing down. Here's an edited version of their conversation:
The Relationship with Martin Parr
Harry Lambert: Let's start by talking about your relationship with Martin Parr. How did these images come about?
Harry Styles: Martin is someone I've always wanted to work with. His photography has a unique sense of humor that's often overlooked in 'high art.' I admire his lens, the way he captures the quieter side of British culture and finds something special in it. While others focus on fashion shoots, Martin sees the beauty in everyday life.
The shoot happened during a pivotal moment in my life. I had just finished a 22-month world tour and was settling into a new phase. I wanted to capture this transitional period, and Martin's presence felt like a fun opportunity to document this important time.
A Private World
When we started working together, you weren't comfortable allowing people to shoot in your private space. How did you feel about Martin entering your inner world and meeting your friend Alessandro?
I was going through a phase of trying to be as private as possible, but it was becoming increasingly challenging. I'm glad we did the shoot. Watching Martin at work was inspiring. Many people don't enjoy their work as much as I do. His curiosity and explorative nature made me appreciate the process more.
Meeting Alessandro Michele
I didn't know how we met Alessandro. Can you tell me about it?
When I moved to London, I met a diverse range of people, and it was an eye-opening experience. I saw different styles of dressing, which blew my mind. I was 19 and realized there were new things to discover. I learned that dressing up can be fun, and I enjoyed trying new looks.
The first time I wore Chelsea boots back home, people were surprised. But when I met Alessandro, I felt he didn't take things too seriously, and that was refreshing.
The Pressure of Solo Success
You went solo and felt scared, vulnerable, and nervous during your first live performance. Can you share your thoughts on that?
In a band with four members, there's less pressure on you. When I went solo, I felt the weight of expectations. I wondered, 'What do I do with my hands?' But I also felt alone. I was grateful for the opportunity, but I put a lot of pressure on myself to succeed.
With my first album, I explored my musical identity. I felt the weight of people's faith in me and didn't want to disappoint. It was a challenging but rewarding experience.
Iconic Image
You've worn iconic outfits, like the jumpsuit with red hearts. What do you want people to remember you for?
At Wembley Stadium, I felt a sense of calm and joy. I saw my parents dancing, and it rained during the encore. I had a massive smile, thinking, 'How can I ask for more joy?' I felt like I was flying. That moment was special and fulfilling.
Taking Time Off
After your world tour, you took a break. How has life been for the past two and a half years?
Taking time off felt insane at the end of the tour. But it was the right decision. I turned 30, and it was time to focus on other aspects of my life. Italy became special, teaching me to slow down.
I realized the pleasure in being present during meals and enjoying the moment. I spent time with my sister, who had a baby, and it made me appreciate the importance of family. I felt fulfilled being there for my niece's growth.
A New Perspective
You've made changes, like deleting Instagram. How has this influenced your relationship with the world?
I've always thought I could live without the constant dopamine hits, but I hadn't removed myself from the world. I feared missing the job's rewards. Living my life away from the industry has been powerful, influencing my current work.
I wanted to get away from the image others see of me. Social media often mirrors this image, and I'm not immune to it. Taking time off allowed me to have deeper conversations with myself, leading to small changes like deleting Instagram.
Marathon Running
You've taken up marathon running. How has this been a part of your journey?
I've always had a schedule, and this break taught me to not work all the time. Running provides structure without being work. I wanted to achieve something fulfilling and rewarding. I ran in my early twenties but didn't stretch properly. Now, I approach it with better care, finding it healthy and rewarding.
Capturing the Moment
Martin Parr captured a significant chapter of your life. How do you feel about these images and the album?
Martin captured a crucial part of my life, teaching me to slow down. These pictures and the album are special, like a long diary entry. I'm grateful to have recorded versions of those years. I'm excited for the tour, but I'd be fulfilled with my niece and sister watching me.
Kiss All the Time. Disco, Occasionally is released on March 6, and The Last Resort 40 Years On, an exhibition of Martin Parr's photographs, opens at the Martin Parr Foundation in Bristol on February 20.
